Case
Study
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Stockholm Waterfront
Congress Centre
The Stockholm
Waterfront Congress Centre houses a performance venue with a
capacity of 3000 spectators, of whom more than half can be seated in
a stand in a cantilevered part of the building. As part of its
design, and because the venue could be used for pop concerts, ELU
Konsult chose to use LUSAS Civil & Structural software to carry
out a detailed analysis of the natural frequencies and mode shapes
of the structure as a whole, and to evaluate its response due to
crowd loading at selected resonant frequencies.
Structural form
The load-carrying
system in the SWCC consists of a 14m tall truss structure supported
by five columns. On the northeast side, the truss forms a 14m deep
and 60m wide overhang, connected to two of the supporting columns by
diagonal compressive struts, balanced with horizontal ties in the
truss. In the overhang, there
is a large stand which consists of a cast-in-place concrete slab resting on raked steel
beams which hang from the roof truss at the overhang. In addition,
parts of two upper floors also hang from the truss - meaning it
carries a substantial amount of load.
The main stand has three separate seating areas with integral wooden
seating affixed to the top of the concrete slab in each.
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3D model showing
structural arrangement and main seating stand |
Modelling
To investigate the natural frequencies
and modes of the structure and to evaluate the response due to crowd
loading at selected resonant frequencies a detailed finite element
model was created in LUSAS. This contained all the structural elements
that were relevant in order to accurately evaluate the structure's
response. Model geometry was imported directly from 3D CAD models and then
assigned material and section properties and other modelling
attributes within LUSAS.
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LUSAS model
of Stockholm Waterfront Congress Centre showing the location
of the main seating stand |
Analysis
An initial eigenvalue analysis with
LUSAS showed many natural frequencies below 5 Hz, but only a small
number of these actually contributed significantly to the response
of the structure - as seen by their large mass participation
factors. The main modes of interest here were horizontal modes in
the model Y and X directions of 1.62 Hz and 2.16 Hz respectively,
and an additional mode that caused vertical oscillation of the main
truss, that was considered to be at 2.228 Hz for analysis purposes.
In addition to these global modes showing high mass-participation,
several modes in the range of 1.4 to 1.8 Hz having negligible mass
participation were also found and assessed to evaluate if they
required further attention.
|
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Mode
48 - Horizontal in the model Y direction (1.62Hz) |
Mode
63 - Horizontal in the model X direction (2.16Hz) |
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Mode 131 -
Vertical movement of the main support truss (2.228Hz) |
Comfort conditions were analysed by
looking at vertical and horizontal accelerations of steady-state
harmonic motion response to a jumping crowd. For this, two primary
loading events were investigated. The first was concerned with an extreme
event where a young, energetic audience are jumping up and down in
time with a certain frequency during a rock concert. The second was
aimed at assessing how sensitive the structure would be for a less
extreme event, termed a "lively concert". For all crowd
loading analyses Rayleigh damping values of around 2% were used.
This value was considered reasonable for an initial analysis but a
higher damping value of around 3% per cent was used in a number of
cases to assess the significance of the damping value on the
structural performance.
An "extreme event"
loadcase modelled the effect of 1700 people moving up and down
en-mass over the whole of the raked seating area. For this
evaluation eigenfrequencies of 1.5 Hz, 1.62 Hz and 2.228 Hz were
assessed. To model the "lively event" a patch load
representing 50 people was applied as a uniform distributed load but
only over a limited area of the stand in such a way that it
maximized the loading effect for the two eigenfrequencies analyzed
(2.228 Hz and 1.62 Hz). The effects on lower supporting levels
of the structure were also investigated.
|
|
"Lively
event" loading (blue) for 2.228 Hz vertical mode |
"Lively
event" loading (blue) for 1.62 Hz horizontal mode |
Following the initial design check
the architects introduced a gap in the slab between two of the stand
seating sections to allow for the installation of a folding wall to
sub-divide the stand for smaller events. This required updating of
the initial LUSAS model and re-analysing the effect on all
considered loadcases. By comparing root mean square values
of acceleration against project design criteria the Congress Hall was found to behave in an
acceptable way with respect to audience comfort.
Some illustrative results plots and graphs obtained from the various
initial LUSAS analyses
are shown below:
|
Vertical
acceleration in the main stand for extreme event loading
(Frequency loadcase = 1.5 Hz) |
|
|
Vertical
acceleration in the main stand for extreme event loading
(Frequency loadcase = 1.5 Hz) |
Horizontal
acceleration in the main stand for extreme event loading
(Frequency loadcase = 2.28 Hz) |
|
Vertical
acceleration in the main stand for extreme event loading
(Frequency load = 1.62 Hz) |
|
|
Horizontal
acceleration comparison for different damping values
(Frequency loadcase = 1.62 Hz) |
Vertical
acceleration comparison for different damping values
(Frequency loadcase = 1.62 Hz) |
|
Vertical
acceleration in the main stand for extreme event loading
(Frequency load = 2.28 Hz) |
|
|
Vertical
acceleration in the main stand for extreme event loading
(Frequency loadcase = 2.28 Hz) |
Vertical
displacement in the main stand for extreme event loading
(Frequency loadcase = 2.28 Hz) |
"Using
LUSAS it is easy
to create and view complicated geometries and subsequently introduce
modifications if they are required. The range of joint elements makes
it easy to model the diverse and complex connections between
structural members, and the assignment
of loading is very straightforward."
Gunnar
Littbrand, Senior Structural Designer and Costin Pacoste,
Technical Expert - Numerical Analysis, ELU
Konsult
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